SKU: 32119104882
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lavender angustifolia plants for sale Lavandula angustifolia 'Dwarf Blue' | Outdoor Plant

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lavender angustifolia plants for sale Lavandula angustifolia 'Dwarf Blue' | Outdoor PlantCompact edging with Lavandula angustifolia 'Dwarf Blue' Lavandula angustifolia 'Dwarf Blue' keeps a low, tidy silhouette with aromatic grey green foliage and blue purple flower spikes in summer. Its scale is the point: it reads as a deliberate mound rather than a loose shrub, so it fits neatly along paths, in gravel planting, and in smaller containers. Once established, the plant holds its shape well and keeps its foliage looking present beyond the

Compact edging with Lavandula angustifolia 'Dwarf Blue'

Lavandula angustifolia 'Dwarf Blue' keeps a low, tidy silhouette with aromatic grey-green foliage and blue-purple flower spikes in summer. Its scale is the point: it reads as a deliberate mound rather than a loose shrub, so it fits neatly along paths, in gravel planting, and in smaller containers.

Once established, the plant holds its shape well and keeps its foliage looking present beyond the main bloom. Repeating several plants creates a clean line of texture and scent that stays legible even when neighbouring perennials are changing through the season.

How Dwarf Blue builds a low mound

Growth starts as new shoots push from the woody framework in spring, filling out into a dense cushion. Flower stems rise above the foliage as the plant moves into summer, then the mound settles back into evergreen structure once bloom finishes.

A mature plant typically sits around 30-40 cm tall, with a spread around 45 cm, depending on pruning and how lean the root zone stays. In pots, the outline often stays even tighter, which suits edging and repeated container displays.

Sun, drainage and root comfort

Bright, open exposure supports short growth, firm stems, and strong leaf scent. Soil texture matters more than richness: a mineral, free-draining root zone keeps the base of the plant in better condition over time.

Chalk, loam, and sandy soils can all work when water passes through easily. If the planting area tends to stay damp, raise the planting level slightly and build in grit so the crown dries between wet spells.

Container watering for Dwarf Blue

In containers, water management is mostly about avoiding a permanently damp centre. Use a pot with clear drainage and a gritty, peat-free outdoor mix that re-wets evenly but does not stay heavy for days.

Check moisture by feeling the pot weight and testing the top third of the mix. Water deeply when that zone has dried, then let excess drain freely. Short, frequent splashes encourage shallow roots and a softer mound.

Keeping the mound trimmed

Light trimming keeps this small lavender looking crisp and prevents the centre from opening. Aim for regular shaping in green growth, so the plant always has leafy points ready to respond.

  • After flowering: remove spent flower stems and lightly round the top growth.
  • Spring tidy: clip off winter-browned tips once new shoots are clearly visible.
  • Where to cut: stay within leafy growth rather than cutting back into bare old wood.
  • Feeding: keep nutrition modest; steady, firm growth is the goal.

Dwarf Blue issue signals

Most problems show up at the crown first. A soft, dull centre or sudden wilting is usually linked to a root zone that stays wet for too long, especially in pots after repeated rain.

Sparse flowering is more often linked to shade or overly rich soil than to lack of water. If the mound becomes leggy, it usually responds to earlier, lighter shaping and a more open, brighter position.

Where this small lavender works best

Lavandula angustifolia 'Dwarf Blue' suits planting where a compact, repeatable lavender shape matters: path edges, raised beds, gravel borders, and container groups. It reads well alongside stone, paving, and fine-textured grasses, and it keeps its place in a scheme even after flowering has finished.

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SKU: 32119104882

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Terry Seale
Belleville, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
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Smrz
Phoenix, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011
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Krisha
Bozeman, US
★★★★★ 4
Worth Watching Crime Drama
I almost stopped watching this film early on because I found the behavior of the cashier's wife so annoying and insufferable. I stuck with it though. It is almost as if it is a crime re-enactment show because of the voiceover narration. In one of the close to final scenes, I thought "This is Kubrick, alright." It is interesting that I watched a film yesterday, "Dead End" in which some of the characters believe that the only life worth living is one with material wealth as do some of the characters in this film. How sad. Maybe that belief is what kills what has real worth. Maybe it is that belief that leads one to a dead end.
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Reviewed in the United States on October 6, 2025
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Rob
Waukegan, US
★★★★★ 5
Excellent.
kubrick's first i think. an excellent b/w noir crime film. very influential. sets the standard. must see.
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Reviewed in the United States on June 5, 2026
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bhogan16
Lake Worth, US
★★★★★ 5
2 Early Kubrick Films in 1 Thrilling Package
The most important thing for the buyer to know about The Killing Criterion Blu-Ray is that it collects 2 of Stanley Kubrick’s earlier films: The Killing (1956) and Killer’s Kiss (1955). Even though the Killer’s Kiss title is not on the box, it is present as an extra, along with its trailer. Other than that, you can expect the usual from a Criterion Collection release. For those who don’t know, that means terrific quality and presentation, with loads of extra supplementary material. As far as the movies themselves go — unlike Fear and Desire, I can actually recommend these two movies as movies, as opposed to morbid curiosities of Kubrick fanatics. They are both pretty intense crime thrillers and just a ton of fun. This is Kubrick before he makes big studio movies with big budgets, but after he’s gained more of the experience and sophistication he would later be known for. The product feels raw, gritty, sometimes intimate, and gives you a look at his NYC roots. Kubrick is still an underdog at this stage in his career. So, would definitely recommend for Kubrick fans, and just crime thriller fans in general
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Reviewed in the United States on December 11, 2022

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