SKU: 44809500850
gold philodendron

gold philodendron Philodendron 'Golden Crocodile'

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Description

gold philodendron Philodendron 'Golden Crocodile'Transform your indoor space into a vibrant tropical oasis with the Philodendron 'Golden Crocodile', a unique hybrid prized for its deeply lobed foliage and eye catching colors. Known for its golden yellow, chartreuse, and green hues, this rare cultivar adds warmth and elegance to any plant collection. The plants jagged, crocodile like leaf edges create a bold visual statement, making it a standout piece for both plant enthusiasts and collectors. With

Transform your indoor space into a vibrant tropical oasis with the Philodendron 'Golden Crocodile', a unique hybrid prized for its deeply lobed foliage and eye-catching colors. Known for its golden-yellow, chartreuse, and green hues, this rare cultivar adds warmth and elegance to any plant collection. The plant’s jagged, crocodile-like leaf edges create a bold visual statement, making it a standout piece for both plant enthusiasts and collectors.

With its upright, bushy growth and glossy leaves, the Golden Crocodile Philodendron makes a stunning focal point in living rooms, offices, or plant shelves. Thriving in bright, indirect light and high humidity, this tropical beauty brings a wild, jungle-inspired charm to your indoor decor with minimal effort.

Plant Profile

  • Botanical Name: Philodendron hybrid
  • Common Names: 'Golden Crocodile', 'Golden Saw'
  • Native Range: Tropical Americas
  • Care Level: Moderate
  • Light: Prefers medium to bright, indirect light
  • Water: Use a well-draining soil mix and keep moist during summer. Allow to dry out completely between waterings in winter.
  • Humidity: Higher humidity is preferred
  • Temperature: 65-75°F
  • Pruning: Remove brown or dead leaves and trim to control growth
  • Feeding: Fertilize with an all-purpose liquid plant food once a month during spring and summer
  • Propagation: Stem cuttings in water
  • Growth: Upright, bushy, can grow to about two feet in diameter
  • Pests: Generally pest-resistant with regular maintenance
  • Toxicity: Toxic to humans and pets

Crocodile-Like Leaf Edges – What Makes It Unique?

One of the most distinctive features of the Philodendron 'Golden Crocodile' is its jagged, saw-like leaf edges, which resemble crocodile scales. This unique texture adds visual interest to the plant’s already striking golden and green foliage, making it a true conversation piece. The large, deeply lobed leaves bring a sculptural element to your indoor jungle, effortlessly standing out as a bold centerpiece or accent plant.

A Hybrid with Tropical Roots

The Golden Crocodile Philodendron traces its origins to the tropical regions of the Americas. As a member of the Aroid family, it shares its lineage with other popular houseplants like Monstera, Anthurium, and Alocasia. This hybrid cultivar was specifically bred for its unique foliage color and texture, making it a one-of-a-kind addition to any indoor plant collection.

While it has been adapted for indoor living, its tropical heritage means it thrives in warm, humid conditions. If you’re looking to bring a touch of the jungle into your home, this plant is an ideal choice.

Why You'll Love the Golden Crocodile Philodendron

This plant is loved for both its color and unique leaf shape, making it perfect for those who enjoy rare and eye-catching houseplants. Its striking golden hues bring warmth to any room, while its bold, jagged leaves add texture and personality.

The Golden Crocodile Philodendron is versatile and pairs beautifully with modern, boho, or rustic decor. Its adaptable size and shape make it an ideal choice for tabletops, plant stands, or as a statement piece in any corner of your home or office.

Quick Tips

Place the Philodendron 'Golden Crocodile' in a decorative planter to elevate its aesthetic appeal. It works well as a statement plant on side tables, shelves, or plant stands. Pair it with other rare tropicals like Monstera Thai Constellation or Anthurium Clarinervium for a curated plant collection.

To keep the plant healthy, provide bright, indirect light and maintain a consistent watering schedule. This plant thrives in warm, humid environments, so consider misting it regularly or placing it near a humidifier.

Care Instructions

  • Light: Bright, indirect light helps maintain the plant’s vibrant colors
  • Water: Water regularly during summer, but allow the soil to dry between waterings in winter
  • Humidity: Keep humidity levels high for optimal growth
  • Temperature: Prefers a warm, indoor environment between 65-75°F
  • Pruning: Trim dead or damaged leaves to keep the plant looking its best
  • Feeding: Use a balanced liquid fertilizer monthly during the growing season

Toxicity Warning

The Philodendron 'Golden Crocodile' is toxic to humans and pets if ingested. Keep out of reach of children and animals.

Shipping Notes
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Exchange/Return Notes
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SKU: 44809500850

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4.0 ★★★★★
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Terry Seale
Carnegie, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
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Smrz
Natrona Heights, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011
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Krisha
Port Orchard, US
★★★★★ 4
Worth Watching Crime Drama
I almost stopped watching this film early on because I found the behavior of the cashier's wife so annoying and insufferable. I stuck with it though. It is almost as if it is a crime re-enactment show because of the voiceover narration. In one of the close to final scenes, I thought "This is Kubrick, alright." It is interesting that I watched a film yesterday, "Dead End" in which some of the characters believe that the only life worth living is one with material wealth as do some of the characters in this film. How sad. Maybe that belief is what kills what has real worth. Maybe it is that belief that leads one to a dead end.
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Reviewed in the United States on October 6, 2025
R
Verified Purchase
Rob
West Palm Beach, US
★★★★★ 5
Excellent.
kubrick's first i think. an excellent b/w noir crime film. very influential. sets the standard. must see.
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Reviewed in the United States on June 5, 2026
B
Verified Purchase
bhogan16
Massapequa, US
★★★★★ 5
2 Early Kubrick Films in 1 Thrilling Package
The most important thing for the buyer to know about The Killing Criterion Blu-Ray is that it collects 2 of Stanley Kubrick’s earlier films: The Killing (1956) and Killer’s Kiss (1955). Even though the Killer’s Kiss title is not on the box, it is present as an extra, along with its trailer. Other than that, you can expect the usual from a Criterion Collection release. For those who don’t know, that means terrific quality and presentation, with loads of extra supplementary material. As far as the movies themselves go — unlike Fear and Desire, I can actually recommend these two movies as movies, as opposed to morbid curiosities of Kubrick fanatics. They are both pretty intense crime thrillers and just a ton of fun. This is Kubrick before he makes big studio movies with big budgets, but after he’s gained more of the experience and sophistication he would later be known for. The product feels raw, gritty, sometimes intimate, and gives you a look at his NYC roots. Kubrick is still an underdog at this stage in his career. So, would definitely recommend for Kubrick fans, and just crime thriller fans in general
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Reviewed in the United States on December 11, 2022

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