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golden nanmu pot plant

golden nanmu pot plant Buy Gold Mound Lantana Phoenix, AZ | Lantana camara

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Description

golden nanmu pot plant Buy Gold Mound Lantana Phoenix, AZ | Lantana camaraNon Stop Golden Blooms for Phoenix Gold Mound Lantana Lantana camara 'Gold Mound' is one of the hardest working flowering groundcovers in the Phoenix Valley. This low growing perennial produces a carpet of bright golden yellow flowers from early spring through late fall often blooming 9+ months of the year in our warm climate. Growing just 1824 inches tall but spreading 46 feet wide, Gold Mound Lantana is practically indestructible in Arizona heat,

Non-Stop Golden Blooms for Phoenix — Gold Mound Lantana

Lantana camara 'Gold Mound' is one of the hardest-working flowering groundcovers in the Phoenix Valley. This low-growing perennial produces a carpet of bright golden-yellow flowers from early spring through late fall — often blooming 9+ months of the year in our warm climate. Growing just 18–24 inches tall but spreading 4–6 feet wide, Gold Mound Lantana is practically indestructible in Arizona heat, thrives on minimal water, and attracts butterflies by the dozen. Whether you're filling a sunny slope in Scottsdale, edging a pool deck in Chandler, or covering bare ground in Mesa — Gold Mound Lantana delivers relentless color with almost zero maintenance.

Gold Mound Lantana Plant Details

Attribute Detail
Scientific Name Lantana camara 'Gold Mound'
Common Names Gold Mound Lantana, Yellow Lantana, Golden Lantana
Mature Height 18–24 inches
Mature Width 4–6 feet
Growth Rate Fast — fills in quickly, reaching full spread in 1 season
Sun Full sun (6+ hrs). Thrives in reflected heat from walls and concrete.
Water Very low once established. Extremely drought-tolerant.
USDA Zones 8–11 (Phoenix is Zone 9b–10a)
Soil Well-draining. Adapts to Arizona caliche soils and poor ground.
Foliage Semi-evergreen in Phoenix — may thin briefly in coldest weeks
Bloom Season March through November (9+ months in Phoenix)
Bloom Color Bright golden-yellow
Wildlife Major butterfly attractor; deer resistant

Gold Mound Lantana Uses in Phoenix Landscapes

Groundcover & Slope Stabilization

Gold Mound Lantana's spreading 4–6 foot habit makes it one of the best groundcovers for Phoenix landscapes. Plant on slopes, berms, and bare areas where you need fast, colorful coverage. Space plants 3–4 feet apart and they'll merge into a continuous golden carpet within one growing season. The dense growth suppresses weeds and stabilizes soil on hillsides throughout Gilbert, Tempe, and Peoria.

Pool & Patio Border

The low 18–24 inch height is perfect for bordering pool decks and patios without blocking views. Gold Mound Lantana handles the reflected heat from pool concrete and pavers that kills most plants, and it won't drop messy leaves or flowers into the water. Its cheerful yellow blooms create a resort-like atmosphere around pools in Scottsdale and Paradise Valley.

Butterfly & Pollinator Gardens

Few plants attract butterflies as reliably as lantana. Gold Mound is a magnet for painted ladies, monarchs, and swallowtails throughout the Phoenix bloom season. Combine with Christine Lantana (orange-pink), Desert Marigold, and Butterfly Bush for a pollinator paradise in Glendale and Mesa that stays colorful from spring through fall.

Best Time to Plant Gold Mound Lantana in Phoenix

Spring (March–April) is the ideal planting window — warm soil triggers immediate root growth and the plant takes off fast. Fall (October–November) also works well, giving roots time to establish before winter dormancy. Gold Mound Lantana is tougher than most perennials and can even handle summer planting if you stay on top of watering for the first few weeks.

How to Plant Gold Mound Lantana

  1. Dig wide, not deep — 2–3x the root ball width, same depth
  2. Check for caliche — break through any hardpan layer for drainage
  3. Backfill with native soil — lantana thrives in poor soil and needs no amendments
  4. Spacing — 3–4 ft apart for groundcover; 4–5 ft for individual mounds
  5. Water basin — build a shallow ring for initial establishment watering
  6. Mulch — 2–3 inches of gravel or bark mulch to retain moisture during establishment

Watering Gold Mound Lantana in Phoenix

First Year Watering Schedule

  • Weeks 1–2: Every 1–2 days, deep and slow (15–20 min)
  • Month 1–2: Every 3–4 days
  • Month 3–6: Every 7–10 days
  • After Year 1: Every 14–21 days summer; minimal to no water in winter

Drip Irrigation

Place 1–2 emitters 12–18 inches from the base, each delivering 1–2 GPH. Established Gold Mound Lantana is one of the most drought-tolerant flowering plants in Arizona — it genuinely thrives on neglect. Overwatering actually reduces blooming and can cause leggy, floppy growth.

How fast does Gold Mound Lantana grow in Phoenix?
Very fast — expect a 1-gallon plant to reach its full 4–6 foot spread within a single growing season. It's one of the quickest-filling groundcovers available for Phoenix landscapes.

Does it bloom all year in Phoenix?
Nearly — Gold Mound typically blooms from March through November, giving you 9+ months of golden flowers. It may slow down or go semi-dormant during the coldest weeks of December and January, then bounces back quickly in spring.

Is Gold Mound Lantana toxic to pets?
Lantana berries can be toxic to dogs and cats if ingested in significant quantities. The flowers and foliage have low toxicity but can cause mild stomach upset. If you have pets that chew on plants, consider placing lantana in areas they don't frequent.

How do I prune Gold Mound Lantana?
Give it a hard cutback to 6–8 inches in late February before spring growth begins. This removes winter-damaged wood and encourages dense, bushy new growth with heavier blooming. You can also lightly shear during the growing season to keep it compact.

You May Also Like

  • Christine Lantana — orange-pink lantana that pairs beautifully with Gold Mound
  • Yellow Bells — larger yellow-flowering shrub for background planting
  • Desert Marigold — golden wildflower groundcover for naturalistic designs
  • Green Euryops Daisy — another yellow-flowering perennial for sunny borders
  • African Daisy — colorful daisy groundcover for Phoenix landscapes

How Many Gold Mound Lantana Do I Need?

As a wide, fast groundcover, Gold Mound is planted by area rather than in rows. Space plants about 3.5 feet on center (each covers roughly 12 square feet) and they knit into a solid golden carpet in one season. On slopes or for quicker fill, tighten to 3 feet. Use the coverage table below to estimate plant counts.

Area to cover Plants needed (about 3.5 ft on center)
50 sq ft 4 plants
100 sq ft 8 plants
200 sq ft 16 plants
300 sq ft 25 plants

Gold Mound Lantana Season-by-Season in Phoenix

  • Spring (Mar to Apr): Bloom explodes and the plant fills fast, making this the prime planting window. A hard cutback to 6 to 8 inches in late February sets up the heaviest flush.
  • Summer (May to Sep): Peak performance in extreme and reflected heat, blooming right through the monsoon on very little water. Butterfly traffic is heaviest now.
  • Fall (Oct to Nov): Keeps flowering into November and offers a solid second planting window as the heat eases.
  • Winter (Dec to Jan): Goes semi-dormant. A light frost can nip the foliage below about 28 F, but the roots are hardy in the Valley and rebound in spring. Leave the old growth on for frost protection, then cut back in late February.

At a Glance

✔ Pollinator-Friendly   ✔ Heat-Loving (Reflected-Heat Tolerant)   ✔ Drought-Tolerant   ✔ Pool-Friendly (Low-Litter)   ✔ Low-Maintenance   ✔ Deer & Rabbit-Resistant   ✔ Cold-Hardy to 15°F

Plant It With

Is Gold Mound Lantana Right for Your Yard?

It thrives in full sun, reflected heat, and fast-draining soil with room to spread 4 to 6 feet wide, all on very little water. Not a fit for shady or soggy spots, and worth placing away from areas used by pets that chew on plants, since the berries can be toxic if eaten.

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Product Reviews
D
Verified Purchase
Diana D
San Leandro, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Grantham, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
San Leandro, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Carnegie, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Dallas, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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