SKU: 69309788262
uppababy stroller vista weight

uppababy stroller vista weight Uppababy Vista V2 Stroller

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Description

uppababy stroller vista weight Uppababy Vista V2 StrollerFeatures of UPPAbaby Vista V2 Single Stroller The UPPAbaby Vista V2 Stroller is a favorite for a reason. Quick glance features: UPPAbaby Vista Single Stroller Overview UPPAbaby continues to refine the already exceptional Vista Stroller. The UPPAbaby Vista V2 Single Stroller works well both as a single as well as a double stroller perhaps the best baby stroller that does both so well!! There are some brands that parents get passionate about, and

Features of UPPAbaby Vista V2 Single Stroller

The UPPAbaby Vista V2 Stroller is a favorite for a reason. Quick glance features:

UPPAbaby Vista Single Stroller Overview

UPPAbaby continues to refine the already exceptional Vista Stroller.  The UPPAbaby Vista V2 Single Stroller works well both as a single as well as a double stroller - perhaps the best baby stroller that does both so well!!

There are some brands that parents get passionate about, and UPPAbaby is one of those brands! Moms who have never owned a Vista may not appreciate everything that comes with it - the push, the ease, the convenience, the modern style, the quality.

We fell in love with the Vista single stroller long before it became famous around the world as one of the most desirable strollers. Years later, and many enhancements later, it still ranks as a top stroller choice.

Every UPPAbaby Vista V2 single stroller includes a stroller seat, an aluminum and magnesium frame, luxurious bassinet, seat rain shield, seat bug screen, and bassinet bug screen. Also, the seat has a generous canopy with extending sun visor, and the stroller's underseat basket is huge for daily storage needs.

 

UPPAbaby Vista V2 Single Stroller Colors

  • JAKE - black fabric, carbon (charcoal) frame, black leather 0320-VIS-US-JKE
  • BRYCE - white marl fabric, silver frame, chestnut leather 0320-VIS-US-BRY
  • GREGORY - blue melange fabric, silver frame, saddle leather 0320-VIS-US-GRG
  • STELLA - grey brushed mélange fabric, silver frame, chestnut leather 0320-VIS-US-STL
  • ALICE - dusty pink fabric, silver frame, saddle leather 0320-VIS-US-ALC
  • DECLAN - oat melange fabric, silver frame, chestnut leather 0320-VIS-US-DCL
  • GREYSON - grey brushed melange fabric, silver frame, chestnut leather 0320-VIS-US-GRY
  • NOA - navy fabric, carbon frame, saddle leather 0320-VIS-US-NOA
  • GWEN -green mélange fabric, carbon frame, saddle leather 0320-VIS-US-GWN
  • ANTHONY -white and grey chenille fabric, carbon frame, chestnut leather 0320-VIS-US-ATH

Updates and Differences Between the Vista and the Vista V2 Single Strollers 

  • Toddler Seat now has a higher back and larger footrest
  • The 5 point safety harness is now a no rethread harness.
  • The sun canopy now has a zip out fabric extender, additional sun coverage, and two vent panels.  
  • The front and rear wheels now offer softer spring suspension.
  • The front wheels now have a visual indicator (green / clear) to show whether the wheels are in a locked or unlocked position.

ADDITIONAL UPPABABY VISTA STROLLER FEATURES

  • Adjustable handlebar telescopes upward and outward, creating more legroom for taller parents
  • Large storage pocket on rear of main stroller seat
  • Water bottle holder in storage basket
  • Peek-a-boo window flap on main stroller seat with magnetic (no velcro!) closure
  • Pop-out sun visor with SPF 50 sun protection equivalent
  • Quick release wheels for more compact folded size when needed

 

WHAT'S INCLUDED WITH THE UPPABABY VISTA V2 STROLLER?

  • Aluminum and magnesium alloy stroller frame
  • Bassinet with mattress, zip-on apron, sun canopy, and bug/sun screen
  • Bassinet storage bag
  • Seat with five-point safety, no rethread harness, sun canopy, and zip-on mesh sun/bug screen.
  • Detachable sun canopy with "peek a boo" window that mounts on seat
  • Behind-seat storage pocket
  • Underseat storage basket
  • Weather shield for stroller seat
  • Leather bumper bar
  • Leather handlebar 

UPPABABY VISTA V2 STROLLER DIMENSIONS AND SPECIFICATIONS

Type Of Stroller: Premium single/double
Maximum Carrying Load: 50 lbs as a single
85 lbs with Rumbleseat
Newborn Suitable: Yes, with bassinet (included) or infant snug seat (purchased separately)
Infant Seat Adapter: Optional car seat adapter for Maxi Cosi/ Nuna/Cybex/Clek, or Chicco. No adapter is needed for Mesa.
Frame Material: Aluminum & Magnesium
Stroller Weight:

27 lbs - Frame with main seat attached              

20 lbs - Frame only                                               

7 lbs - Seat only                                                  

8.4 lbs - Bassinet only

Open Length: 36"
Open Width: 25.7"
Open Height (to top of handle): 39.5"
Tire: 8" front polyurethane, 11.5" rear AirGo no-flat
Reclining: 4-Position locking recline when using seat
Folded Size:

25.7”W x 17.3”L x 33”H - with seat            

25.7”W x 16.8”L x 33”H - frame only

Brakes: One foot pedal controls both rear wheels
Warranty: 2 Year 

FAQ ABOUT THE UPPABABY VISTA STROLLER


How do you fold the UPPAbaby Vista Stroller?
There is a finger trigger on each side of the handlebar to unlock the frame hinge. Just pull the finger triggers together, and the Vista collapses down in one step.

What is the most popular color?
Black strollers are always a very popular choice among parents.

Can I use older Rumbleseats or Vista accessories with the 2020 Vista V2?
In 2015, UPPAbaby completely redesigned the Vista stroller.   In 2020, UPPAbaby unveiled the Vista V2.  Most accessories intended for the 2015 and later Vista will work with the Vista V2 and vice versa.  Please note that Rumbleseats and car seat adapters manufactured after 2015 do not fit Vista model years 2014 and prior.

Can I trade in my older Vista for the new model?
We do not offer a trade-in program, and UPPAbaby does not offer such a program. However, the good news is that UPPAbaby strollers hold much of their value, and you can sell your used stroller for a good bit of money to apply to a new one.


Where can I get a discount coupon code for the UPPAbaby Vista Stroller?
Authorized dealers of UPPAbaby products agree to exclude the Vista from coupon codes, so it's difficult to find a promo code that works on the Vista stroller.

Where do you get replacement parts for the Vista stroller?
For replacements parts on your UPPAbaby stroller, you'll need to contact UPPAbaby directly.

Does the 2020 Vista V2 Rumbleseat work on older Vista stroller models?
The 2020 Vista V2 Rumbleseat will work on Vista models 2015 and newer.

Is the UPPAbaby Vista V2 Stroller worth the money?
Any purchase approaching a thousand dollars definitely deserves a little thinking. Here are some considerations on deciding if the Vista V2 is right for you and your budget:

  • The bassinet is approved for overnight use indoors, so you won't need to purchase a separate one.
  • The Vista is excellent as a single stroller for your first child, and it transforms to a good double stroller as well for the second child. This means a one-time stroller purchase for years.
  • On Craigslist and eBay, you can find two or three year old used Vista strollers selling for half their original purchase price. If you keep your Vista in good shape, you'll be able to get hundreds back when your child(ren) outgrow it.
  • The Vista V2 comes with a 2 year warranty from UPPAbaby. UPPAbaby is also offering an extended warranty of 1 year simply by registering the stroller online within 3 months of purchase. That's a total of 3 years! If something is defective or goes wrong, you're covered. Less expensive strollers may only have a 90-day or 1-year warranty. If they break after the short warranty period ends, you need to buy another stroller.

Is the Vista good for jogging?
Though the Vista stroller would be a great friend for powerwalking, it is not recommended for jogging.

Does the 2014 UPPAbaby Mesa fit the 2020 Vista V2 stroller?
Yes, all Mesa model years fit all Vista model years.

See more frequently asked questions about the UPPAbaby Vista

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    SKU: 69309788262

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    4.4 ★★★★★
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    Laney
    Alexandria, US
    ★★★★★ 5
    I’m absolutely OBSESSED!!!!!!
    Format: Paperback
    My love for this book is everything. Just thinking back to the little family—Ford, Cora, and Rosie—was absolutely amazing to read about. The way I completely fell in love with the lovesick billionaire, the grieving daughter, and a woman trying to find herself again was the best part of the book. I felt like each word drew me closer to the main characters. Ford is a billionaire who buys a run-down house in his old vacation town when, surprise, a quiet, guarded, incredibly smart twelve-year-old girl shows up on his doorstep claiming to be his daughter through a past sperm donation. Cora has lost her father, and her mother is struggling deeply, so Ford unexpectedly takes Cora under his wing. She’s sharp, sarcastic, emotionally reserved, and clearly carrying more weight than a kid her age should have to bear. Not long after, Rosie—Ford’s best friend’s little sister and his long-lost love—returns to town after being mistreated by her boss. Her arrival catches Ford completely off guard, and all the feelings he thought he’d buried come crashing back. Throughout the book, Rosie forms a deep, natural bond with Cora, and together they slowly build something that feels like home. Ford doesn’t just fall in love with Rosie—he falls in love with the family they create. Favorite Parts ★ Rosie’s bond with Cora was literally my breaking point. They are so incredibly sweet and felt completely real.
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    Reviewed in the United States on February 3, 2026
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    ghostrider369
    Cuba, US
    ★★★★★ 5
    If you want to write that best seller correctly, this is the book for you!
    Format: Paperback
    Plot & Structure is a thorough handbook for writers looking to improve their storytelling. Bell, as many already know is a successful novelist and writing coach. He simplifies complex ideas like plot development and narrative structure into useful advice, practical tactics, and interesting activities that we can all understand. Bell's strategy revolves around the LOCK methodology, which stands for Lead, Objective, Confrontation, and Knockout. Not a new technique at all, this framework is intended to assist authors in crafting captivating story lines that hold readers' attention from start to finish. Bell clearly emphasizes the significance of developing a strong lead character who propels the story forward, a definite aim that guides the plot, a confrontation that adds tension and drama, and a knockout finish that leaves readers happy but wanting more. Clarity and order are two of the book's strongest points. Bell delivers his thoughts in a logical order, beginning with the basics of plot structure and progressing to more sophisticated themes such as subplots, pacing, and thematic depth. Each chapter is illustrated with examples from popular literature and cinema, making theoretical topics more concrete and understandable. This method not only enhances comprehension but also encourages readers to study and appreciate the workmanship behind their favorite stories. But Bell does this in a fun, and still factually correct manner. Bell's writing style is both informative and motivating. He communicates directly to the reader, anticipating their worries and queries and providing encouragement with his advice. His encouraging tone is especially helpful for aspiring authors who may be intimidated by the hurdles of narrative development, I know I was one of those. Bell tells them that, while creating a compelling plot is difficult, it is possible with perseverance, effort, and a willingness to learn from failures. The exercises at the end of each chapter are another standout feature of the book. These are intentionally created to put the concepts covered into practice, encouraging authors to explore various story scenarios, character motives, and narrative structures. By constantly promoting active participation, Bell guarantees that readers not only absorb the material but also apply it. This hands-on approach encourages creativity and experimentation, which are crucial skills for any writer trying to improve their art. He makes the whole process fun to do, which helps one feel involved more than some dreary instructional how-to book that we have all read and forgotten. Furthermore, Bell discusses frequent plotting difficulties and provides solutions to solve them. He addresses difficulties like predictable storylines, uninteresting characters, and drooping middles, offering practical advice on how to increase suspense, deepen character development, and sustain momentum throughout the novel. This problem-solving part of the book is crucial since it provides writers with skills for critically evaluating and improving their work. It dives into the psychological and emotional sides of narrative, recognizing that a successful plot is more than just what occurs, but how it affects the characters and, as a result, the readers. Bell urges writers to explore their characters' emotional journeys, claiming that emotional resonance is critical to producing a memorable and meaningful story. Despite its numerous qualities, the book might have used more diverse examples, such as those from genres outside of Bell's area of expertise, contemporary literature, and indie presses. While the emphasis is mostly on traditional narrative frameworks, some consideration of experimental and non-linear storytelling could have provided a more comprehensive perspective on the art of plotting. Its thorough examination of plot creation, along with practical exercises and insightful suggestions, makes it an invaluable resource for anybody wishing to master the craft of storytelling. Whether you're a new writer struggling with your first plot or an experienced author looking to improve your skills, this book provides the assistance and inspiration you need to create captivating narratives that keep readers engaged from beginning to end. Plus, you will have fun along the way too!
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    Reviewed in the United States on February 6, 2024
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    Birdfeeder
    Fort Morgan, US
    ★★★★★ 5
    One of the best books about writing!
    Format: Paperback
    Each chapter offered valuable information. I can't praise it enough. It's simply one of the best books that I have read about writing. I have learned plenty, and I will apply it to my new novel that I'm working on right now! Buy it! Read it! It works wonders! It's invaluable to my collection. If you're building your collection, make sure this book finds a place in your home. I have outlined so much. I have taken so many notes. I memorized elements of the structure. The author didn't take any break. He didn't stop surprising me toward the end. Great work! OVERVIEW The author talks about the LOCK system for your novel. L --You need to have a gripping Lead with whom readers can identify with. You need sympathy, likability, and inner conflict. You need to build an arc of your character breaking into his layers, so the lead changes by the end of the novel. You need to show it through action and show the moment of change. O-- Objective, a goal your lead wants to achieve. You need to create a strong opposition, and put that opposition close to the lead. It might be a physical location, moral duty, professional obligation, life or death situation, obsession, etc. C--Confrontation or simply said conflict that grows; stakes are raised higher leading to the climax of the story. K--Knockout--final fight against opposition You need three ACT structure: Beginning (Act 1) , Middle(Act 2), Ending (Act 3) Beginnings- You need to reveal the lead; hook the reader; create sympathy through those things that I have mentioned earlier. You need to create disturbance in his life that will move the Lead to Act 2 which is the middle, no return. Middles- Raise the stakes; scenes are more tense; create more conflict and have a death hanging over your Lead (emotional death, physical, or professional, etc.) The customer is nearing the black moment. The Lead enters another door of no return. Endings-Battle--tie those lose endings (some might contain sacrifice) 1. A final choice or 2. A final battle Add a twist if possible. If you follow the above and create a back cover blurb, you can go ahead and write your novel knowing it will not fail. Create an arc of the character that concentrates on the internal part of the character. I like to create also two charts. One is for the Lead showing how the character is changing internally. Another one, characters who play the parts in your novel divided into following categories: Character, Description, Objective, Role, Secret, and Emotion Evoked. You can add as much as you want in your never ending list. Scenes- HIP- Hook, Keep it Intense, Prompt to another scene Stretch tension! You need show instead of tell. ARM- Action, Reaction, and More Action Soap Opera-- don't resolve anything until the end, and you might want to end the scene with a secret revealed or a cliff hanging moment. Complex Plots--Play with symbols or motifs; create subplots and integrate them into the main plot, or use parallel plots used so much in romance novels. Or divide into sections; each section to contain the LOCK system and three act structure. Some other things that I found valuable: Flashbacks -- keep them short; create scenes out of them; use one HAD. If your middle doesn't play well, do something unexpected like throwing a guy with a gun. Unanticipate-- avoid cliches, create unpredictiable scenes, endings If you present something in the story, make sure you use it later in your novel. If you mention the riffle on the wall, make sure it will play out in the future scene. You need to work backwards. You need to plant things, so the future scenes will make sense. The author talked about SHUTDOWN. I have experienced it myself just after the conference. It happens when the writer is overwhelmed and can't produce. It's a phase that passes. I did have it for two weeks. I was just simply exhausted and overwhelmed. I took a break, and the passion came back.
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    Reviewed in the United States on November 1, 2011
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    C.J.
    Cuba, US
    ★★★★★ 4
    Pretty Good... Not amazing.... But pretty good.
    Format: Paperback
    Before taking a stab at my first real story I have decided to read two books on the art of writing fiction; "Techniques of the Selling Writer" by Dwight Swain, and the book I am reviewing now, "Plot and Structure" by James Bell. While Swain's book was more of an all inclusive manual on writing interesting fiction, Bell's book is focused strictly on, as the name suggests, plot and structure. What this book is not... This is not a 'how to write a novel' book; if you are going to just read one book on writing a fiction novel then "Techniques of the Selling Writer" may be the more appropriate choice. If you are looking for a book that deals with anything outside of plot and structure, this book will be of no help there either. This book is designed to be supplemental to an already moderately educated reader. If you read Swain's book first, then you will instantly recognize the principles of this book. What this book is... This is a great book on, you guessed it, Plot and Structure. It's actually a fairly concentrated look into the subject. The chapters... Ch 1: What's a plot, anyway? Ch 2: Structure: What holds your plot together. Ch 3: How to explode with plot ideas. Ch 4: Beginning strong. Ch 5: Middles. Ch 6: Endings. Ch 7: Scenes. Ch 8: Complex Plots. Ch 9: The character arc in plot. Ch 10: Plotting Systems. Ch 11: Revising your plot. Ch 12: Plot Patterns. Ch 13: Common plot problems and cures. Ch 14: Tips and Tools for plot and structure. I found the specificity of this book very helpful with each principle being illustrated by a paragraph or so of a known author's work. Bell handpicks excerpts from authors varying from Dean Koontz to Herman Melville, brilliantly pulling text from these masters and showing us how they went about the relevant technique. This easy to read nature and well outlined subject matter means I will be using several of its chapters as a personal reference guide in the future. I'm certain it will keep me from making many of the mistakes beginning writers make and possibly save me weeks in rewrites. I will say this though... "Techniques of the Selling Writer" is a better book and covers plot quite well too; so if you are only going to read one book on writing, that is a damn good place to start. If you want to supplement that reading further, "Plot and Structure" comes highly recommended. [...]
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    Reviewed in the United States on May 26, 2010
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    Verified Purchase
    fernando pedernera
    Whiting, US
    ★★★★★ 5
    Have no fear!, or The writer's Victorinox.
    Format: Kindle
    You can't praise this book enough. There are a ton of how-to books out there, but this one really made a difference for me. Think of writing as a journey through the woods: You set up, you get in the muddle, and you come out (hopefully) on the other side. When doing this, we try to use as many tools and resources as we can to make it to the other side, but most of the time you fail (or tools fail on you) and you end up starving or being eaten by some wild animal in the muddle of the story. What James Scott Bell wants you to have in clear is that the most useful tool you can have out there is YOU. And all of his tips, advice and excercises are aimed to one thing and one thing only: how to unleash and harness the power of your story (and survive). It provides clear, straight-forward tools and tips, adressing many aspects of the writing process you won't find in many of them. It is a must-read for anyone interested in the study of plots and storytelling. Relevant examples that take in consideration a wide array of writer profiles, and Bell does not abuse with film examples (and most of the movies it references are also books i.e.: the maltesse falcon, the godfather, etc.). It contains useful excercises at the end of each chapter to help you put the tehcniques in practice and bring the best out of your learning experience. It really helped me overcome several issues I had with my novel-writing and opened my mind to a new scope on plot and str.. This is a wonderful book, written in the same gripping style that the author suggests to use, and with great success. I think this is a wonderful book because it does not give infalible advice. To me that is very important. Let me ilustrate how I felt by giving you the following example: (after developing content) -Regular book: so just do This (and fail, miserably). -Bell's book: Many writers had this problem before and by doing This you might also find a solution for it. In case That doesn't work, you could maybe try This, or come back at it again later on with a fresh view and give it another try.
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    Reviewed in the United States on August 18, 2017

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